

Released on February 8, 2023, the album H.I.K.I marks a significant creative step for the artist Ebreezy. The title itself — H.I.K.I — stands for High Inspired Kept Kingdom Instincts, giving us a glimpse into the conceptual framework behind the project.
Context & Artist Background
Ebreezy is an artist whose work spans multiple facets of modern musical expression, blending influences and personal narrative. While detailed biographical material isn’t copious, his discography shows a continuing evolution in both sound and ambition. The release of H.I.K.I comes after previous works such as “Girls Ain’t Innocent” (2022) and the EP Wat’s In The Vault Pt. 2.
By choosing the subtitle “High Inspired Kept Kingdom Instincts,” Ebreezy hints at a commitment to authenticity (“Kept”), sovereignty of self (“Kingdom”), and tapping into innate creativity (“Instincts”). The “High Inspired” portion suggests striving toward elevated vision or purpose.
Tracklist & Musical Flow
The album consists of eight tracks, totaling approximately 30 minutes. Here is the tracklist:
Intro (hapa)— 2:47 Twende — 4:00 Mpishi — 4:26 Kwanini We — 4:12 This Town — 3:50 Ukweli wa Amani — 4:19 Mawazo — 3:37 Outro (Paa/Ngangara)— 3:31
Musically, the album weaves through reflections on place (“This Town”), internal dialogue (“Mawazo” which means “thoughts” in Swahili), and a broader peace-seeking (“Ukweli wa Amani” translates roughly to “Truth of Peace”). The use of Swahili titles suggests cultural layering and invites listeners to interpret identity and experience through a diasporic or multilingual lens.
Themes & Highlights
Identity & Place: With songs like “This Town,” Ebreezy explores a sense of belonging or dislocation, perhaps both the literal and metaphorical town one inhabits and the internal town of self. Reflection & Instinct: Tracks such as “Mawazo” and “Kwanini We” (which could be interpreted as “Why Us?” or “Why You?”) delve into self-reasoning, questioning, and introspection. Peace & Truth: “Ukweli wa Amani” stands out for its thematic weight: truth and peace are presented as intertwined, suggesting a spiritual or philosophical core to the project. Cultural Language Play: The mixture of English with Swahili (and potentially other languages or influences) gives the album a textured feel, and invites listeners from varied backgrounds to engage with its layered meanings.
Production & Sound
The sound of H.I.K.I reflects precision, intention, and balance — eight tracks and thirty minutes of pure cohesion. Rather than reaching for commercial appeal, Ebreezy curates an experience that feels deliberate and tightly woven. Every beat, vocal layer, and instrumental texture speaks to a deeper vision: one rooted in instinct, collaboration, and authenticity.
Behind the scenes, a powerful creative collective helped bring that vision to life. Hardworknation Marketing Company provided unwavering support and direction, ensuring that every detail aligned with the project’s essence. The sonic craftsmanship unfolded across borders, with contributions from Soundking, Little Africa, Asili Sound, 6 Records, and E.F.N — connecting studios in Switzerland, Tanzania, and the United States.
The production energy of GQ, Kichwa Touch, Eric Wilson, Domi Beats, Black Culture, Sajo, and Rage Infinite Producer infused H.I.K.I with its dynamic texture and emotional resonance. Visually, Ezra Brown and Mr. Filly translated the album’s depth into a striking design that mirrors its spiritual and creative tone.
The project’s poetic and vocal layers were further elevated by Mac Leisian, Asteria Official (TZ Poets), MC Koba TZ, Britney Marie, and Torrence Bristaw, guided the coordination between process with precision each adding rhythm, reflection, and soul. Charissa Stephens harmonies added warmth and textedture to the soundscape , Abbas Max brother
Together, this collective transformed H.I.K.I into more than just an album — it became a movement. A manifestation of Highly Inspired Kept Kingdom Instincts, where intuition meets discipline and collaboration breathes life into art.
Listeners will notice a seamless blend of mid-tempo rhythms, introspective lyricism, and cultural inflections that set this project apart from mainstream releases. The album leans toward artful exploration rather than formulaic radio singles — though tracks like “This Town” show strong crossover potential. Songs such as “Mpishi” (“cook” in Swahili) reveal Ebreezy’s layered storytelling, using metaphor to speak about creativity, process, and self-evolution.
Why It Matters
It showcases an artist choosing intention over mass volume: shorter tracklist, maintained theme. It marries cultural roots (via language and titles) with universally relatable themes (identity, place, peace). It positions Ebreezy as someone to watch: creative, reflective, and unafraid of nuance. In a music landscape often driven by singles and streaming fluff, H.I.K.I stands out as a cohesive body of work.
Final Thoughts
H.I.K.I is more than an album—it is a statement. Through the lens of “High Inspired Kept Kingdom Instincts,” Ebreezy invites listeners into his world: one shaped by thought, culture, place, and purpose. Whether you’re drawn to rich lyricism, cross-cultural texture, or just good music that has something to say, this project is worth exploring.
By the Tanzanian











