Swahili Night in Maryland: Melting pot of East African cultures in US

Despite the tension about deportation and detention of rights activists between Kenya and Tanzania, Saturday May 17, proved to be a pivotal day for diasporans from East Africa, who gathered for food, drinks and music in the city of Baltimore, Maryland, USA, in this years of Swahili Night.

It was an “All You Can Eat” menu of Swahili food, good music and chilled vibes. The night’s events began at around 7pm Eastern Daylight Time (EDT), with a welcome by the MC, Voice of America Swahili Anchor Sunday Shomari

Dj Benny was spun a riveting mix of bongo flava, Lingala, taarab, benga and rhumba tunes from both the old school and more contemporary genres.

The menu comprised sumptuous, exquisite East Africa delights, including nyama choma, samosas, biriani, pilau, mandazi, fried fish, goat soup and sukumuwiki (Kale)

To wash these delicacies smoothly down was spiced East African tea with a touch of Zanzibari cloves and exotic spices. This provided a mix of sweet, sour, and spicy flavors that engaged the attendees taste buds.

The Swahili Night goes back to the early 2000s. Guests came from a range of states in the US including Florida, New York, Virginia, the Federal Capitol Washington DC and Virginia

Nationalities represented included Tanzanians, Kenyans, Ugandans, Congolese and Americans. The events was headlined by famous Tanzanian rappers Ibrahim Mussa aka Roma Mkatoliki and David Mlelwa aka Young Dee.

According to the MC Shomari, Swahili Night is important because of its centrality in preserving the cultural identity of East Africans. It reinforces the strong cultural heritage among East Africans in the diaspora while transferring cultural norms, mores and traditions to the younger generation of East Africans born in the USA

Swahili night also affords East Africans a platforms in the US to assert their presence in a political environment that can become xenophobic and unwelcoming to foreigners. Mr Shomari said: “Swahili Night provides networking opportunities for East Africans to connect with each other over food, music and camaraderie.”

With the current tensions between Nairobi and Dodoma over the deportation and detention of Kenyans attempting to attend the trial of opposition leader Tundu Lissu, Swahili Night affords the diaspora community of East Africans a chance to come together in a unity, solidarity and consanguinity

The Tanzanian rappers freely mingled with guests. The air was filled with a varied tone of voices enjoying the evening in conversation, laughter and exaltation as attendees danced to the pulsating music rolling off the discs of Dj Benny’s system.

Carol, a Kenyan in Maryland, who attended the event said: “This event is an important part of the annual calendar for East Africans. It is must-attend social jamboree that brings together a mosaic of nationalities, cultures and races”

Ogum from Uganda said, “Im glad to see we had matooke on the menu. The Spices used are Zanzibari, which gives the matooke a flavor a bit different from what i am used in kampala. I liked it though”

Most attendees shied away from discussing the political firestorm that was occurring 8000 miles away in both Kenya and Tanzania over deportations and detentions of Kenyan activists and legal literati.

However, Edward Mariga from Kenya was bullish in his opinion of the deportations arguing the suluhu administration had panicked and acted in an overhanded manner. Something not good for the East Africans Community He stated that i am disappointed with the treatment of Martha Karua and former Cj Willy Mutunga. Their Deportation from Tanzania for simply wanting to attend the trial of a major Tanzanian political figure is unnecessary and undiplomatic

This meeting of East Africa diaspora created a forum for East Africans to network, socialize and build human to human contacts which enhances the warmth, Africanness and unity of being East Africans in the diaspora

Exploring Identity and Culture: Vanessa Mwingira’s‘Brothas and Locs’ Photography Exhibition.

Dreadlocks, often referred to simply as ‘locs,’ are more than just a hairstyle to some people; they are a powerful form of self-expression and cultural identity. With this in mind, photographer Vanessa Mwingira presents a visual narrative of work which she was working on recently while doing her residency at Nafasi Art Space. Featuring seven works displaying men with locs, Brothas and locs, shows the relationship between individuals and their locs. Vanessa famously known as Punkandblack in her socials said in her statement that she invites the audience to see beyond the surface and discover the rich stories and identities that lie within each portrait.

“Through this ongoing project, I aim to amplify the stories of those whose hair is a defining element of their identity”; she wrote this in her statement explaining why she chose this specific subject. I asked why she chose men and not women with locs and she said, “I have worked with a lot of women so I decided to include men this time around in my work to show some diversity”. With the beautiful photographs that she exhibited, I can say with confidence that this project is among the best of her works. 

While in university in 2015, Vanessa fell in love with photography but her journey as a professional photographer began in 2016, driven by a desire to express her views of the world and the need to celebrate diversity. From the beginning, her work has been characterized by a commitment to portraying people of color authentically and compassionately. Through her lens, she captures identity, culture and the strength of her characters offering viewers beauty from her point of view. 

In the world of photography, we see many different types of artists that capture and share their stories that affects deeply with the audience. Vanessa Mwingira stands tall among these visionaries; her lens focused not just on subjects, but on stories particularly those of people of color. Established in editorial, portrait and documentary photography, Vanessa has forged herself a place in the world of photography by elevating the voices and experiences of her community through her captivating images.

Vanessa is driven by a desire to challenge conventional narratives and celebrate diversity. From the outset, her work has been characterized by a commitment to portraying people of color authentically and compassionately. Through her lens, she captures the nuances of identity, culture, and resilience, offering viewers a glimpse into the rich tapestry of human experience.

Over the years, Vanessa’s talent and dedication has attracted attention from individuals and different organizations and companies. Some of them are such as CARE international, Endelea fashion brand, International Finance Corporation and Annabelle Magazine. She has also worked with many private individuals from models to family portraits. On top of that, some of her work has been featured in publications such as VSCO, AFROPUNK and teen vogue to name a few securing her reputation as a force to be reckoned with in the world of photography.

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With all her achievements, Vanessa has still been able to engage herself in different communities that share her vision and passion of what she does with photography. Such communities are African Women in Photography, the African Photojournalism Database and Everyday Africa where she actively collaborates and learns from fellow artists. Through these communities she has been able to share her visions with others who want to know more about different matters in her photography work.

The exhibition, Brothas and Locs has not seen its end. Another second edition of photos will come later on in the upcoming months. “Since this time around I used a backdrop for my photos, that I made by myself by the way, the next photos I still haven’t figured out if I will use the same method or not”, said Vanessa when asked about what is next for her. 

Vanessa’s journey as a photographer is really amazing and that she gets to share her experiences with the world is a gift itself. As she continues to capture more stories with her lens, we as the viewers continue to learn and know more about our community. She is an example of female photographers who set their minds on something and go for it until it works out.

By Edna